When I fall in love with a fantasy world, I want to consume as much of that world as possible. That’s why I’m drawn to illustration that is so dense with worldbuilding elements. In my own work, I started indulging this obsession by creating tiny one-by-three-inch books that contained fully-illustrated alien worlds before eventually moving on to bigger books like A is for Another Rabbit, a book crammed so full of hidden jokes, Easter eggs, and thousand-rabbit-wide crowd scenes that my hand hurt by the end of it. Extreme detail is a way of prolonging the delight and discovery inherent in reading picture books, and I intend to keep pushing it to the limit!
While Spring Storyis the first book in Jill Barklem’s Brambly Hedge series, all eight of them are bursting with sumptuous, hyper-detailed illustrations of a pastoral mouse society in the English countryside. Barklem’s watercolors are jam-packed (literally – so many jars of jam) with mouth-watering baked goods, flowers, and trees that any gardener would envy, and one of my favorite illustration techniques ever – the cutaway – to show the layout of the mice’s treehouses, flour mill, and other buildings that keep the tight-knit mouse village running smoothly. If you've ever salivated over the feasts of Redwall but been less-than-enthusiastic about the possibility of a weasel massacre, let the ever-sunny Spring Storyscratch that itch in full, vibrant color.
Celebrate the 40th anniversary of the miniature world of the mice of Brambly Hedge!
Wilfred woke early. It was his birthday. He had lots of lovely presents, but the best one was a surprise... Mr Apple had organised a secret celebration picnic and all the mice of Brambly Hedge were invited.
There was so much to carry. Poor Wilfred got very tired as he lurched and bumped his way along the grassy track. What was it Mrs Apple had said was in his hamper? Knives? Sandwiches? They were certainly heavy!
When they finally arrived, Wilfred was allowed to open up…
Another first book in a consistently-lovely series, Dinotopia delivers on exactly what its title promises: a lush utopia full of immaculately rendered dinosaurs (and their costumed human companions!) It’s no surprise that the breathtaking scenery of Dinotopiafeels so real and immersive; author-illustrator James Gurney previously illustrated reconstructions of ancient civilizations for National Geographic. His illustrations pack so much worldbuilding into such a small space; from the actually-translatable dinosaur footprint language on all the signage to the consideration of the minutiae of Dinotopian life (where and how do sentient dinosaurs poop?), it’s no wonder this travelogue-style book has swept away both adults and children alike.
When James Gurney's Dinotopia: A Land Apart from Time first appeared in 1992, it was immediately hailed as a fully imagined world of the caliber of J. R. R. Tolkien's. Gurney's premise — of an undiscovered island where a race of mystical humans co-exists in harmony with intelligent dinosaurs — has been since reiterated over and over in numerous films and by scores of other writers. Now, Calla Editions brings Gurney's spectacular artistry to a new generation in this 20th anniversary edition. Digitally re-rendered from the original transparencies, Gurney's dramatic panoramas of Dinotopia and close-up character studies of its inhabitants…
The Arrival’s target audience may be a bit older than that of my other picks, but the fantasy city that blooms to life in its sepia-toned art is no less awe-inspiring. It’s the story of a man immigrating, and adapting, to a city full of strange creatures, contraptions, and people – none of the writing is intelligible, none of the architecture makes much sense, and the humans who live there seem to have strange symbiotic relationships with monsters great and small. The book’s lack of text puts the reader on the same level as its protagonist: we must scrutinize and make meaning of the shining city using only what we can see. A beautiful book about the confusion, uncertainty, surrealism, and excitement of the immigrant experience.
What drives so many to leave everything behind and journey alone to a mysterious country, a place without family or friends, where everything is nameless and the future is unknown. This silent graphic novel is the story of every migrant, every refugee, every displaced person, and a tribute to all those who have made the journey.
THE ARRIVAL has become one of the most critically acclaimed books of recent years, a wordless masterpiece that describes a world beyond any familiar time or place.
Sited as No 35 in The Times 100 Best Books of all time. It has sold over…
Ahhh, Richard Scarry. All of the books on this list are great for children, but this is the only one I actually read as a child, and the fact that I’m still thinking about it now means it must have been formative. There’s a reason this book’s setting is called “Busytown:” animal citizens hard at work burst from every door and window, cutaways show how the buildings are constructed and plumbed, and vehicles of all shapes and sizes (including a quadruple-decker bus full of rabbits) whizz through the streets. What Do People Do All Day? doesn’t leave out the mundanities of city life, like how cement is mixed to lay sidewalks or how bathroom sinks work – instead, it explains and illustrates those things in bright colors, elevating them to spectacle.
Golem’s illustrations are certainly not detailed in the same way as the others on this list; the imagery in this retelling of the Golem of Prague story is composed entirely of colorful cut paper, layered and woven into bold, dynamic scenes. Whereas the first four books I’ve recommended invite hours of poring over worldbuilding detail and density of information, Golem compels readers to marvel over the construction of its illustrations. How does the golem pierce through the spidery paper web of paper smoke? How are the sheets stacked to imply depth and shadow? Is this seriously all paper?!
Retold from traditional sources and accompanied by David Wisniewski's unique cut-paper illustrations, Golem is a dramatic tale of supernatural forces invoked to save an oppressed people. It also offers a thought-provoking look at the consequences of unleashing power beyond human control. The afterword discusses the legend of the golem and its roots in the history of the Jews. A Caldecott Medal Book.
InA is for Another Rabbit, a rabbit-obsessed narrator makes an owl increasingly irate by refusing to play by the rules of a conventional alphabet book. Every entry is about bunnies, from "delightful, dynamic, daredevil rabbits" to "xylophone rabbits and rabbits on drums!" Readers will pore over scenes of bunnies at the circus, in a tiny town, at the museum, even in a motorcycle gang. Author-illustrator Hannah Batsel takes readers on a delightful romp through the alphabet and keeps them laughing all the way to the ridiculously fun conclusion.
Unlike the typical tales of a flawless fighting unit, this story follows Commander Kami Trenn and her ragtag squad of mixed-race space marines.
Dog Squad fights a mysterious adversary whose presence remains shrouded in secrecy. The fate of the universe hangs in the balance, but will they be able to make enough of a difference?
Can they hope to uncover the enemy’s plans for galactic dominance before the Alliance falls? Maybe. If they can stop fighting each other.
Across the void formed by two galactic spiral arms, vast forces face each other.
The tenuous Alliance, sixty civilizations united only by fear of invasion, prepare to resist the encroachment of their as-yet unseen enemy, known only as the Creeps.
The Void has become a battleground. Three thousand light years across, and populated by a scattering of ten thousand ‘dark’ worlds, it is the Alliance’s last chance to protect their way of life. Self-destructive, robotic drones pour across the Void in ever-increasing numbers, testing the Alliance fleets to breaking point.
